Big Concerts announced that the celebrated, multi-award-winning artist and Grammy nominee, James Blunt, will be gracing South African shores next year as part of his highly anticipated tour promoting his latest sensational album, "Who We Used To Be." Accompanied by his band, Blunt is set to captivate audiences at the Grand Arena, GrandWest on Thursday, 12 September, and at SunBet Arena, Time Square on Saturday, 14 September. This tour is presented in association with 947 and KFM 94.5.

The exclusive Discovery Bank pre-sale is scheduled to commence at 09h00 on Wednesday, 29 November, accessible via www.ticketmaster.co.za, and will continue until 08h59 on Friday, 1 December. General public ticket sales will officially open at 09h00 on Friday, 1 December 2023, exclusively through Ticketmaster.co.za.

Blunt's latest album, "Who We Used To Be," has already received accolades for its brilliance and infectious tunes. Expressing his excitement for the tour, James said, "I cannot find the words to say how excited I am to get back out on the road again on tour in 2024. My new album was incredibly fun to write and record, and some of the new songs will undoubtedly get you up on your feet and dancing again. I'm looking forward to crowd surfing at a venue near you!"

The album's debut single, the upbeat anthem 'Beside You,' accompanied by a captivating video directed by Craig Bingham, pays homage to James' past, depicting encounters with versions of himself throughout his life. As he embraces the personas of his former self, the video reflects his journey forward.

"Who We Used To Be" marks James Blunt's first studio album since the highly acclaimed top 3 charting album "Once Upon A Mind" in 2019. For this project, Blunt collaborated with various producers, including Jonny Coffer, Red Triangle, Jack & Coke, and Steve Robson. His recent compilation of greatest hits, "The Stars Beneath My Feet," achieved Gold status by selling over 100,000 copies.


For comprehensive tour and ticket details, visit www.bigconcerts.co.za.

James Blunt "Who We Used To Be" Tour Details:

Cape Town

Date: 12 September 2024
Venue: Grand Arena, GrandWest, Cape Town
Ticket Sales: Exclusively available from Ticketmaster (www.ticketmaster.co.za) starting at 09H00 on Friday, 1 December.
Pretoria

Date: 14 September 2024
Venue: SunBet Arena, Time Square, Pretoria
Ticket Sales: Exclusively available from Ticketmaster (www.ticketmaster.co.za) starting at 09H00 on Friday, 1 December.

Prepare to immerse yourself in an unforgettable musical journey as James Blunt brings his enchanting melodies and chart-topping hits to South Africa in 2024!
[Submitted by Kevin Rademeyer]

Renowned global comedian Jimmy Carr has exciting news for South African comedy enthusiasts, announcing two dates for his highly acclaimed "Terribly Funny" stand-up comedy tour to be held in 2024. The shows, in partnership with 947 and KFM 94.5, are set to kick off on Saturday, 2 March at the SunBet Arena, Time Square in Pretoria and conclude on Sunday, 3 March 2024 at the Grand Arena, GrandWest in Cape Town.

Ticket sales for the Discovery Bank pre-sale are scheduled to commence at 09h00 on Wednesday, 29 November, exclusively through ticketmaster.co.za, running until 08h59 on Friday, 1 December. General public ticket sales will then open at 09h00 on Friday, 1 December 2023, available exclusively through ticketmaster.co.za.

Jimmy Carr's extensive international tours have spanned over forty countries, with his previous tour, "Best Of Ultimate Gold Greatest Hits," achieving a global ticket sale of over 480,000. The current "Terribly Funny" show has surpassed this figure, extending its success into 2023 and now adding South Africa to its 2024 itinerary, following shows in Australia, New Zealand, Canada, and the USA.

About Jimmy Carr:

Jimmy Carr is a prominent figure in UK television, notably recognized for hosting Channel 4's acclaimed shows such as "8 Out Of 10 Cats," "8 Out Of 10 Cats Does Countdown," and "Big Fat Quiz Of The Year." He has also graced Comedy Central's "Roast Battle UK" and "Your Face Or Mine." Carr is a regular panelist on top-rated shows including QI and A League Of Their Own. His illustrious career includes multiple appearances at The Royal Variety Performance, and he currently serves as a judge on the hit BBC1 entertainment series "I Can See Your Voice" and hosts Channel 4's latest game show, "I Literally Just Told You."

Internationally, Jimmy Carr has made a mark in North America as the first UK comedian to secure a stand-up deal with Netflix in 2015. He released three specials on the platform, including "Funny Business" (2016), "Best Of Ultimate Gold Greatest Hits" (2017), and "His Dark Material" (2021), the latter being Netflix's most watched stand-up comedy special in the UK for that year. Carr has also presented and executive-produced the original panel show format, "The Fix," for Netflix and made multiple guest appearances on esteemed US talk shows such as The Tonight Show, The Late, Late Show, and Late Night With Conan O'Brien. His consistent performances at the Montreal Just For Laughs Comedy Festival since 2003 have made him a standout UK act with the most appearances in that timeframe.

Before venturing into streaming, Jimmy Carr established himself as one of the best-selling comedians in the DVD market, with his eight titles collectively selling over 1.2 million copies. These shows are now available on Jimmy's YouTube channel, boasting over 758,000 subscribers and 210 million views since its inception in 2018. Carr's literary contributions include co-writing "The Naked Jape: Uncovering the Hidden World of Jokes" in 2007 and his highly anticipated memoir, "Before & Laughter," which debuted on The Sunday Times Bestsellers list in September 2021.

Important Notes:

Carr's current show features jokes on various topics, some of which may touch upon sensitive subjects. He clarifies that these jokes are not indicative of the actual events and urges patrons to exercise discretion when attending the show.

Fans are strongly cautioned against purchasing tickets from Viagogo. Tickets obtained from these sources are unlawfully resold at inflated prices and may result in denied entry to the venue without refund.

For comprehensive tour and ticket information, please visit www.bigconcerts.co.za.

Jimmy Carr "Terribly Funny" Tour Details:

Pretoria

Date: 2 March 2024
Venue: SunBet Arena, Time Square, Pretoria
Ticket Sales: Exclusively available from Ticketmaster (www.ticketmaster.co.za) starting at 09H00 on Friday, 1 December.
Cape Town

Date: 3 March 2024
Venue: Grand Arena, GrandWest, Cape Town
Ticket Sales: Exclusively available from Ticketmaster (www.ticketmaster.co.za) starting at 09H00 on Friday, 1 December.
Attendees under the age of 16 are advised that the show may contain content unsuitable for their age group.

Prepare for an evening of unparalleled laughter and entertainment with Jimmy Carr's "Terribly Funny" tour hitting South African shores in 2024!
[Submitted by Kevin Rademeyer]

Amidst a thrilling journey encompassing six pivotal games, the fervor of the audience surged, catapulting spectator figures beyond the illustrious one million mark. The crescendo of this sporting spectacle reached its zenith as the World Cup culminated in a breathtaking showdown at the grandeur of the Narendra Modi Stadium in Ahmedabad on a vibrant Sunday.

Spanning from the 5th of October to the 19th of November, this illustrious event vowed to immerse fans within the pulsating heart of the action. The inauguration witnessed an astounding spectacle, marking the highest attendance for a Men’s Cricket World Cup opening match, igniting the passion as England clashed with New Zealand in a riveting encounter, reminiscent of the captivating 2019 final. Subsequently, the historic clash between India and Pakistan in the ICC World Cup history further intensified the fervor as fans thronged the stadiums on the memorable 14th of October.

Surpassing a staggering milestone, the figure of over 1.25 million fervent fans etched a new zenith in cricket's annals, eclipsing the attendance records of all previous ICC events. Notably, the ICC Men’s Cricket World Cup 2015 held in Australia and New Zealand gathered 1,016,420 spectators, while the 2019 edition in England and Wales witnessed 752,000 enthusiasts streaming through the turnstiles.

The 13th edition of the Men’s Cricket World Cup, hosted in India, not only soared past these figures but also shattered numerous records in broadcast and digital viewership. This triumphant feat underlines the sport's global eminence and the ever-burgeoning adoration among aficionados.

Chris Tetley, the illustrious ICC Head of Events, remarked, "The resplendent journey of the ICC Men’s Cricket World Cup 2023 has transcended all expectations, illuminating the finest facets of the game and kindling an ardent passion in the hearts of millions across the globe. The staggering attendance stands as a testament to cricket’s timeless allure and the perpetual excitement encapsulated within the ODI format. This event has not merely entertained but has unified cricket enthusiasts worldwide, fostering an unparalleled celebration of this cherished sport."

"ICC events serve as a cornerstone in nurturing the growth of cricket, inspiring legions of future fans and players across the globe. We extend our heartfelt gratitude to the fervent fans whose unwavering support and enthusiasm rendered the ICC Men’s Cricket World Cup 2023 an unequivocal triumph. We eagerly anticipate crafting more enthralling experiences in future ICC events for the delight of everyone," Tetley concluded, brimming with anticipation for the adventures yet to come.
[Submitted by Kevin Rademeyer]

In a grand proclamation, the illustrious City of Cape Town proudly steps into the limelight, announced as the prestigious Host City for the forthcoming Betway SA20 Final, slated for the resplendent date of 10th February 2024. This momentous partnership between the City and the tournament promises to unfurl the vibrant tapestry of Cape Town's allure to a global audience, casting its magnetic charm in the corridors of tourism hotspots worldwide.

Adorned with natural beauty and steeped in cultural richness, the iconic Newlands stadium emerges as the sacred ground where the champions of Betway SA20 Season 2 will be anointed on the grand stage of the Final. Not merely content with hosting the Final, Newlands sets the scene for the inaugural Qualifier on 6th February. Meanwhile, the Wanderers stands ready to host two exhilarating back-to-back knockout clashes - the thrilling Eliminator on 7th February and the gripping Qualifier 2 on 8th February.

The City of Cape Town, now anointed as the official 'Host City – Final' partner, embarks on an unprecedented journey to amplify its magnificence across the League's global network and vast audience.

Cape Town, an eminent gem in the treasure trove of global tourist destinations, captivates hearts with its heritage sites, iconic landmarks, diverse arts, cultural extravaganza, and pristine natural resources. A symphony of unparalleled offerings awaits within the city's embrace - an ensemble of experiences that cater to every discerning visitor.

"Merely 50 days away from the onset of this cricketing extravaganza, this marks a pivotal moment as we crown the City of Cape Town as our esteemed Host City for the Final, locking in our venues for the playoffs and Final," proclaimed the Betway SA20 League Commissioner, Graeme Smith. "Summer and cricket weave a timeless narrative, and with the January/February window secured annually, SA20 promises to be the ultimate destination. Cape Town, a global hotspot for summer escapades, has proved its mettle by hosting distinguished events like the Women’s T20 Cricket World Cup Final, the Volvo Ocean Race, the URC Final, the Cape Epic, and more. The city pulsates with a unique energy, boasting iconic locales and a plethora of entertainment options. We eagerly anticipate the city setting the stage for a world-class Final on the 10th of February 2024."

A bastion of cricketing lore, the Wanderers has witnessed iconic clashes etched in the annals of South African cricket. It has been the arena for historic encounters, including the famed 438 game, the 2003 ICC Cricket World Cup Final, and the scintillating 2023 Betway SA20 Final.

Nestled beneath the towering majesty of the mountains, Newlands, with its famed Oaks embankment, resounding Railway Stand, the tantalizing aroma wafting from the nearby brewery, and the ethereal sunsets, transforms each match into a timeless spectacle.

"As the City of Cape Town, we embark on an exhilarating partnership with Betway SA20 to showcase our resplendent city during their Season 2 playoffs and Final. We take pride in having been chosen by the Mumbai Indians, the joint-most successful IPL team, as the home for their SA20 franchise. Securing Newlands as the Final's venue augurs well for MI Cape Town in Season 2," affirmed the Deputy Mayor, Eddie Andrews.

"The electrifying buzz in the city during Season 1, from avid cricket enthusiasts to casual sports aficionados, was palpable. Moreover, the economic and environmental impact of the League resonates with our vision of enhancing the lives of our citizens. We eagerly anticipate collaborating with SA20 to showcase spectacular cricketing action and the splendor of our city throughout the tournament, culminating in the playoffs and the grand final at Newlands."

In an exciting addition to Season 2, the playoffs will witness the top teams vying for supremacy - Qualifier 1, the Eliminator, and Qualifier 2, paving the way for an epic championship clash in the Final on the 10th of February.

With just 50 days to go before the commencement of this enthralling cricketing fiesta, the anticipation builds as the world's elite cricketers prepare for a month brimming with entertainment, top-notch cricket, and everlasting memories.

The defending champions, Sunrisers Eastern Cape, shall commence their title defense with a riveting encounter against the Joburg Super Kings in Gqeberha on the 10th of January, unleashing cricket fever across South Africa's premier stadiums throughout the month.

Tickets for the playoffs and the Final will be available for purchase starting from the 8th of January on www.SA20.co.za. Stay tuned to Betway SA20 and the City of Cape Town's social media platforms to seize your chance to be part of the electrifying atmosphere at these matches. Tickets for the round-robin matches are presently accessible on www.SA20.co.za.
[Submitted by Kevin Rademeyer]

Amidst triumphant embraces and victorious cheers, Pat Cummins and Mitchell Starc secured Australia's spot in the World Cup Final showdown against India. Their astute tactical prowess at the tail-end ensured a thrilling clash at Ahmedabad’s Modi mega-bowl, marking a deserving victory over South Africa.

In a tumultuous day-night encounter on a capricious pitch, Cummins and his squad took charge, restricting their opponents to 212 and chasing down the target with 16 balls to spare. However, the riveting match was peppered with stumbling blocks, witnessed by a crowd of 48,000 locals, leaving Temba Bavuma's South African team in heartbreak.

The Proteas faced early setbacks as Australia's initial strikes were followed by a magnificent century from David Miller, injecting hope into an otherwise challenging situation. Yet, despite their valiant effort with the ball, overcoming notable batters like Travis Head and David Warner, South Africa's dream faltered, marking their seventh exit at the semi-final stage in ODI and T20 World Cups.

The age-old debate on 'choking' surfaced, promptly dismissed by South Africa's head coach, Rob Walter, who refuted any notion of succumbing under pressure. The experience and composure of Australia's champions from 2015 were evident, particularly in the calm resolve of Mitchell Starc, who alongside his captain, sealed the deal for the Aussies.

Bavuma's decision to bat first for South Africa proved challenging as Starc and Josh Hazlewood stifled the top order, keeping the Proteas at bay for a substantial period. Despite a resilient stand by Miller and Heinrich Klaasen, South Africa struggled under Australia's persistent pressure, with the latter falling victim to a masterstroke from Australia's part-time spinner, Travis Head.

Miller's heroic century kept the contest alive, yet unfortunate dismissals of key players, including Coetzee and himself, marred South Africa's chances. Despite glimpses of hope, missed catches and failed reviews plagued South Africa's efforts, ultimately paving the way for Australia's determined victory.

The same old questions will be raised about the Proteas decision making including playing an out of form skipper, who by his own admission was not fully fit. Other issues would be the decision to bat first in gloomy conditions and failing to throw a punch in the first ten overs. Perhaps a team that are not confident to bat second are deserving of the World Champions title, however their fight should not be questioned.

In the end Australia were too strong and made the correct decision, at the right time. They took full advantage of the conditions and were worthy victors. Starc and Cummins exhibited nerves of steel in the final stretch, securing Australia's place in the World Cup final, where they aim to claim the coveted title for the sixth time. For South Africa, the quest to reach the pinnacle of success remains an elusive pursuit.

Photo: REUTERS/Andrew Boyers
[Submitted by Kevin Rademeyer]

Bryan Adams, the rock maestro whose music transcends generations, recently graced the stage at Pretoria's Sunbet Arena, ending the South African leg of his "So Happy It Hurts" tour. As a seasoned attendee of Bryan's performances, having relished the magic on four previous occasions, including the unforgettable acoustic "Bare Bones Tour," each concert has been etched in my memory, invoking the euphoria of days gone by.
My anticipation for his Sunbet Arena debut was palpable, driven by the prospect of reliving the intoxicating atmosphere of live rock music and the sheer joy of a crowd singing and clapping in unison, all under the spell of Bryan himself. Excitement fueled my attendance on not one, but three consecutive nights of the tour, a testament to the enduring allure of Adams's music.

The vibe for all three evenings was nothing short of feel-good fun. As the crowd gathered in the arena, a peculiar yet exhilarating trend unfolded – the front row was encouraged to stand, inspiring the rest of the arena to follow suit by occupying the aisles. This contrasted with the typical seated setup for rock concerts, a challenge given the diverse age groups present, spanning from 10-year-olds to an 80-year-old lady seated next to me.

The crowd dynamic played a crucial role in shaping the different concert experiences. While the first two nights were marked by exuberance, some attendees seemed determined to try and outshine the main act, resulting in a cacophony that occasionally drowned out Bryan Adams's voice. This included loud wolf whistles at every possible chance. The last evening, however, saw a more considerate audience, allowing concertgoers of all ages to savor decades of musical brilliance and Bryan Adams’ angelic voice.

Although the experience was vastly different on each occasion, the performance remained the same. As the lights dimmed, signaling Bryan's imminent arrival, the crowd erupted in wild enthusiasm. Dressed in matching black t-shirts, Bryan and his band embraced a contemporary setup with a large video screen, projecting a modern aesthetic while maintaining focus on the music. The setlist, spanning over four decades of hits and 75+ million album sales, seamlessly blended new tracks with classics, creating a party atmosphere that resonated throughout the arena.
Bryan's interaction with the crowd reached its peak as he invited revelers to dance along with his infectious rockabilly track, 'You Belong To Me.' The concert showcased newer material from his recent albums, but the crowd's collective energy peaked with mega-hits like "Summer of '69" and "Everything I Do." A stripped-back rendition of select numbers, including 'Here I Am' and 'When You're Gone,' allowed the arena to transform into a choir, echoing every lyric as if their lives depended on it.

The concert's crescendo was Bryan's nod to crowd requests, with the audience selecting perennial favorites like "Cloud Number Nine" and "Have You Ever Really Loved a Woman." This interactive segment added a personal touch, making the crowd an integral part of the show. The finale, featuring two acoustic gems each evening, "Straight from The Heart" and "All For Love," provided a fitting conclusion to a concert that reminded us all why live music is unparalleled.

One of the reasons I decided to write a second review was that I failed to give credit to the whole band on the first evening. I do not think I am the only one and a highlight often overlooked is the musical genius of the band, especially guitarist Keith Scott. Scott's virtuosity added an electrifying dimension to the performances, showcasing his prowess as one of the most underrated guitarists in the industry. The band's unwavering energy across the two-hour-plus set demonstrated their professionalism and commitment to delivering a top-class show night after night.

However, the tour wasn't without controversy, a topic discussed in the first review as well. The management's decision to restrict photos and videos in the front rows stirred unhappiness among attendees. While this decision had its positives, such as unobstructed views, it deprived those with prime tickets of capturing memories. The additional peculiarity of copyright strikes for concert videos uploaded to YouTube added to the mystery surrounding this policy. Whilst we could not confirm the reasons for the decision, it was great to be able to see Bryan Adams without looking through thousands of cellphone screens.

Despite these quirks, each evening concluded with the entire arena on its feet, arms in the air, and everyone dancing, delivering the quintessential elements of a great night out. Big Concerts once again ensured a high-quality experience with impeccable sound, organization, and management. I want to thank them for the invitation to review the first evening and will always do so in an unbiased manner.

As Bryan bids adieu to South African shores, one can't help but ponder when he'll return. The thought that we may have to wait until his 70s is crazy, but one thing is certain – when Bryan Adams does return, he'll undoubtedly “go down rocking”, ensuring that the magic of his music continues to resonate across generations.

[Submitted by Kevin Rademeyer]

From the inaugural chords to the final notes, Bryan Adams once again asserted his status as a bona fide rock icon during the recent leg of his So Happy It Hurts Tour in Pretoria. The musical maestro, having kicked off the South African segment of his tour in Cape Town, graced the Sunbet Arena with three sensational shows. Despite Adams, 64, forgetting his prior appearance at the venue, the electrifying performances served as a reminder that some things only get better with time.

The atmosphere in the arena was charged with anticipation, intensified by Adams's strategic use of pre-show video clips and a spectacular display featuring a convertible flying car that circled the venue. At a Bryan Adams concert, one can expect a two-hour extravaganza of pure rock and classic ballads. The journey began with the lively "Kick Ass" from his latest album, setting the tone for an evening brimming with nostalgia and powerhouse performances.
Presenting approximately 30 songs, Adams masterfully intertwined his latest compositions with timeless classics. The audience was treated to an array of hits, including "When You Love Someone," "18 'Til I Die," "Somebody," and the iconic "Summer of '69." Introducing an acoustic touch to tracks like "Here I Am" and "Straight from the Heart," Adams created intimate moments within the expansive arena.

As Adams engaged with the audience, sharing anecdotes about his 95-year-old mother and reflecting on his early struggles as an 18-year-old aspiring songwriter, the connection deepened. A unique interactive element emerged as the crowd influenced the setlist, suggesting and enjoying fan favorites like "Don't Drop that Bomb on Me" and "Cloud Number Nine."

Despite the passing years, Adams's performance remained nothing short of remarkable. The enduring energy, passion, and distinctive voice that have characterized his career for nearly four decades were on full display. With a musical legacy spanning generations, Adams undeniably solidified his place in rock history.
However, amidst the musical enchantment, a surprising twist emerged – management restrictions on photos and videos in the front rows. Some attendees expressed disappointment, feeling hindered in capturing their cherished moments. The decision raised speculation on the management's motives in an era dominated by social media. Kaitlin Morland, a disappointed concertgoer, remarked, "It was very disappointing that management came and pushed down our phones every time we wanted to take a video or a photo. We paid a lot of money for front row tickets, and this was never stipulated to us."

Other concertgoers echoed similar sentiments, highlighting the departure of photographers after a single song and noting the grainy quality of the video on the backscreen. Some speculated that the management's decision may be an attempt to preserve the image of the aging rockstar.

Despite this minor disruption, fans departed the arena buzzing with admiration for Adams's timeless talent and the unforgettable performance. Bryan Adams continues to assert himself as a musical force, a living legend whose influence spans across generations. As the So Happy It Hurts Tour journeys forward, audiences worldwide can anticipate nothing less than an electrifying night of rock and nostalgia from this iconic performer.

[Submitted by Kevin Rademeyer]

The Momentum Multiply Tians will be at home, at SuperSport Park, for their second match in CSA 4 Day Series where they will face off with the HollywoodBets Dolphins.

Both teams are coming off wins in their opening games in the 4 Day Series which will make for an exciting match-up in Centurion. The Titans travelled to Paarl where they were victorious over the GBets Rocks by 6 wickets in their match last week. A victory in your opening match will always bode well for the team during the rest of the campaign.
“It’s very important to start any campaign with a win to gets the Momentum on your side but it’s especially important in a 4 day series because of the nature of 4 day cricket where there’s a lot of draws.” Explained Titans all-rounder Dayyaan Galiem.

Success against the Rocks will boost the team in their second match against the side from KZN but they will know better than anyone the aspects of their game that they can improve on going forward.
While the bowling unit did a fine job in the second innings there were phases when they ventured in search of wickets when sticking to the basics would’ve been a easier option. “There were periods especially after lunch that the wicket died down and got a bit tough to bowl we were a bit adventurous when we should’ve stuck to our plans.” Galiem explained.

Dean Elgar and the work he put in at the crease in the second innings earned the Titans victory in the end but the first innings batting will be an area the Titans want to improve after being 30 odd for no loss and then getting bowled out for 209. “It’s always been good competition when we face the Dolphins and there’s always hard battles especially at SuperSport Park so we’re expecting an awesome encounter with them.” The all-rounder said.
Momentum Multiply Titans Squad to face HollywoodBets Dolphins: Neil Brand (C), Sibonelo Makhanya, Junior Dala, Dean Elgar, Schalk Engelbrecht, Merrick Brett, Rivaldo Moonsamy (W), Dewald Brevis, Donovan Ferreira, Aya Gqamane, Matthew Kleinveldt, Tladi Bokako, Sam Ruwisi, Aaron Phangiso, Musa Twala

[Submitted by Kevin Rademeyer]

Today's Date: Oct 26, 2023 | Time: 18:18 | Location: New York, NY


Salvatore Di Vittorio has set the stage for a groundbreaking initiative merging classical and film music as both composer and conductor to help preserve and be a part of the renaissance of orchestral music from the concert hall to the silver screen during an age that is proving to show a significant demise of melody (and all things lyrical) across both genres and the orchestra world itself, thus away from the great long-standing tradition of orchestral masters from Ottorino Respighi to John Williams.

ABOUT Salvatore Di Vittorio
Salvatore Di Vittorio is an internationally respected, published composer and conductor, recognized for his uniquely lyrical, melodic orchestral music "following in the footsteps of Ottorino Respighi" (Giornale di Sicilia) – the revered 20th-century composer who inspired such legendary composers in both classical and film music – from disciple turned film composer Mario Castelnuovo-Tedesco to his student John Williams. With his profound natural gift of melody throughout all his memorable music, Di Vittorio's forte of orchestration and arrangement is evidenced not only through his original works but numerous elaborations across the spectrum from Claude Debussy to John Barry. A multifaceted career, doubling as an orchestral conductor as Music Director of the Chamber Orchestra of New York, further distinguishes Salvatore Di Vittorio from most orchestral composers today.

Under the auspices (and as Music Director) of the Chamber Orchestra of New York, Maestro Di Vittorio has begun one part of his essential initiative titled Bringing Film To Classical and the ensemble's December 14, 2023, festive concert at Carnegie Hall's Zankel Hall warmly displays a beautiful merging of film music such as John Williams' E.T. Suite with classical music, including Tchaikovsky's Nutcracker Suite. By orchestra-world standards, film music is only performed in concerts either with the film itself or in pops programs, but never regularly merged during the standard seasons with the classical repertoire. Di Vittorio intends to break that culture to help demonstrate the refined history and significance of orchestral music between both genres of classical and film. A master of orchestration with experiences in the classical, film, and fashion worlds, Di Vittorio, will also present his free transcription Suite Verdiana during the same December evening, a work based on some of Giuseppe Verdi's most famous operas. The American pianist Simone Dinnerstein will be showcased performing Mozart's famous Piano Concerto No. 21, "Elvira Madigan."

Di Vittorio's exciting initiative was successfully demonstrated last season under a collaboration with Teatro Massimo Opera of Palermo, Italy, and Chamber Orchestra of New York, where John Williams' Star Wars Suite was coupled with Respighi's Fountains of Rome and Di Vittorio's Voyages of Aeneas - the opera house's commission honoring the 30th anniversary of their concertmaster Salvatore Greco. Both performances between Palermo and New York were sold out in advance. In 2024/2025, Maestro Di Vittorio will launch a set of concerts at the same Palermo opera house under the brand "Respighi in America" Festival along with the world premiere of his Fourth Symphony based on Ovid's Metamorphosis - to also help stimulate repeated performances with numerous international orchestras by featuring works collectively-inspired around the legacies of Respighi, Castelnuovo-Tedesco and John Williams. This universal programming will also feature Di Vittorio's restorations/completions of Respighi's works (under Casa Ricordi) - such as the compositional completion of the Bolognese master's first Violin Concerto - which Di Vittorio was honored to accomplish as the single recipient of the Respighi family commission project in 2008. Several of his autograph manuscripts of the publications are now preserved at The Morgan Library & Museum's prestigious music archive.

The Maestro continues to record for Naxos Records, and his albums with the Chamber Orchestra of New York are airing worldwide to much acclaim. Just this year, Di Vittorio began to expand his expertise in sustaining the always audience-appreciated tradition of melody and orchestration into his very first film score project. Di Vittorio received an Award of Excellence for Best Score at the IndieFest Film Festival for orchestration, arrangement, and conducting of the documentary Transformation, directed by Nancy Hamilton and featuring Steven Baldwin. Film and Naxos album releases are now forthcoming. More soon!

Salvatore Di Vittorio's contributions to the world of orchestral music are developing a unique crossover musical journey like no other before. Stay tuned for further updates on this groundbreaking initiative as Salvatore Di Vittorio continues redefining his musical composition and performance boundaries. He also captivates audiences with his extraordinary vision and lighthearted approaches to programming over the coming seasons, from classical to film and far more.

Learn more about the Carnegie Hall concert on December 14th:

Event: Festive Concert of Chamber Orchestra of New York at Carnegie Hall's Zankel Hall - Thursday, December 14, 2023 at 7:30 pm
Soloist: Simone Dinnerstein, piano
[Submitted by Sandra Richardson]

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https://www.carnegiehall.org/calendar/2023/12/14/chamber-orchestra-of-new-york-0700pm

https://linktr.ee/salvatoredivittorio

Paris, October 25, 2023 - Brace yourselves, sports enthusiasts! The Springboks are on the brink of a monumental Rugby World Cup showdown against the formidable All Blacks. Yet, the tantalizing allure of this clash is tainted with the enigmatic decisions looming over South Africa's coaching brigade, creating more enigmas than answers in the lead-up to this titanic face-off.

Unyielding in their resolve, the Bok mentors have hinted an unaltered 23-man squad. Despite nail-biting performances in recent playoffs versus France and England, where they eked out razor-thin victories, the confidence they inspire remains divisive, leaving fans and pundits grappling for a verdict: Have the Boks indeed cracked the code to victory?

But the veneer of hope crafted by these victories is cloaked in the uncertainty of the squad's overall mettle, pushing the coaching dream team into a relentless whirlwind of introspection and scrutiny, dissecting every minute detail. As the crescendo of the final team announcement looms large, one thing is abundantly clear: no player is an untouchable icon in this ensemble. The coaching brass reiterate that they possess not one, not two, but a trio of ace alternatives in every position, ready to rise to the occasion when the World Cup fires its ultimate test.

Such resolve might have held water at the dawn of this global spectacle. However, the terrain altered dramatically with the devastating tournament-ending injury to star hooker Malcolm Marx. The Boks have since stretched the limits of their front-row reserves to the brink. A recent storm clouded the Boks' semifinal encounter with England, with accusations of racial slurs hurled at Bongi Mbonambi, the Boks' stand-in captain. The fallout has seen World Rugby launch a full-scale investigation into Tom Curry's claims, casting an even more foreboding shadow over the Boks' final preparations.

The outcome of this inquiry could be seismic. A guilty verdict could see Mbonambi sidelined, a potentially devastating blow to the Boks. In the wake of Marx's absence, Mbonambi's prominence has soared to unprecedented heights, making him the linchpin of the squad.

His leadership shone through when he captained in a World Cup warm-up match in Buenos Aires, a tactical decision that shielded against uncertainties around Siya Kolisi's fitness. Kolisi's return to the pitch has seen him share the captain's armband with Mbonambi, but fate threw a cruel twist in the Boks' path, with Marx suffering a debilitating injury in training after the Scotland encounter. This scenario forced the Boks to explore unconventional solutions in the front row, leaving the coaching brain trust in a quandary.

Their shrewdness in managing player rotations during pool matches reflects their adaptability. Mbonambi's game time has been meticulously doled out, ensuring he's primed for the crunch playoff encounters. The challenge posed by France and England demanded a shift in strategy, with Mbonambi defying tradition to play a full 80 minutes, a rarity for front-row powerhouses. Now, the nagging concern lingers: Will Mbonambi, the indispensable hooker and designated captain for the ultimate showdown, enter the championship fray bearing the weight of an extraordinary playing load in 2023?

Mbonambi's presence on the field has graced 11 of the 12 Tests to date, seven of which saw him start. Amongst the Bok forwards, only Pieter-Steph du Toit and Duane Vermeulen have eclipsed his game time during this World Cup campaign. Yet, strategic management is paramount, and this juggling act could sway the coaching team's verdict, especially concerning the bench.

The Handré Pollard saga adds an additional layer of intrigue. Emerging from a strenuous calf injury, South Africa's preferred flyhalf was notably absent from the World Cup's initial squad. Only a subsequent injury to Marx earned him a call-up. Pollard's appearances have been meticulously stage-managed to ensure he doesn't overexert himself. While he began in a pool match against Tonga, cautious reservations prompted the coaching gurus to keep him on the bench for crucial duels against France and England. This choice paid off handsomely, with Pollard sealing the deal through his late-game heroics.

The million-dollar question now looms large: Should the Boks adhere to the Libbok-Pollard partnership for the grand finale against the All Blacks? The response hinges on Pollard's state of fitness. His seasoned experience and proven match-winning prowess make him an alluring choice. However, with a rain-soaked final forecasted, the suitability of Pollard for such conditions introduces an element of risk. The coaching dilemma is pregnant with implications, as this pivotal choice could determine whether the Boks grasp glory or resign themselves to the position of runners-up.

The selection of the final bench, too, remains an enigma. Ideally, the coaching team would have relished a 6-2 split between forwards and backs. Alas, circumstances dictate a 5-3 divide, accommodating Pollard among the substitutes.
In their most recent clash against the All Blacks, the Boks favored a lopsided 7-1 forward-back split, a risky gambit that nearly backfired. In subsequent games, they embraced a more balanced 6-2 configuration, reigniting hopes of a comeback victory.

The precipice upon which the coaching staff now stands is unprecedented. They are forced to weigh the tantalizing prospect of fresh All Black legs against the wearied Bok ensemble. Players like Mbonambi, Kitshoff, and Malherbe carry the fatigue of intense game time. The performance of the Bok bench will be a cornerstone of their aspirations. A plethora of possibilities presents itself, including the quandary of selecting an additional lock or loose forward, a choice that might spell doom for Libbok, despite his recent heroics.

In the greater tapestry of game management and nerve-wracking goal-kicking, Pollard's unwavering reliability overshadows Libbok's recent exploits. The ultimate verdict on Pollard's readiness will bear colossal consequences, potentially sealing the fate of this epic final.

As the showdown of the century against the All Blacks edges closer, the Bok coaches find themselves at the heart of a raging tempest of uncertainty. Their choices could either etch their names in history or thrust them into the abyss of unfulfilled dreams. The grand revelation awaits at the Stade de France this Saturday, as the rugby universe holds its breath.

In the lead-up to the final, the revered Felix Jones, an imposing figure within the Bok camp, underscores the historic significance of this monumental clash against the All Blacks. He radiates palpable excitement, emphasizing the electric intensity of this long-standing rivalry, elevating the encounter to the highest echelons of sporting spectacle.
Jones also waxes eloquent on the resurgent New Zealand team, spotlighting their impressive strides in rucking and kicking facets of the game. The Bok mentors have left no stone unturned in their meticulous preparation, focusing unwaveringly on player performance and nurturing a cohesive team atmosphere.

As the final inches closer, one thing is beyond dispute: this colossal stage is set for a World Cup final that promises unrivaled drama.
[Submitted by Kevin Rademeyer]