The Difference Between US and British Press Cards: A Comprehensive Analysis

In the world of journalism, press cards serve as vital credentials that grant access to events, enable interactions with key figures, and establish credibility. Although both the United States and the United Kingdom issue press cards, the processes, regulations, and recognition of these cards vary significantly between the two countries. This article delves into the differences between US and British press cards, examining their issuance, recognition, legal implications, and practical use in the field of journalism.

1. Overview of Press Cards

Press cards are identification cards issued to journalists, photographers, and media professionals to prove their identity and credentials in their professional capacity. These cards can grant access to restricted areas, press conferences, and events, and they are often essential for the protection and recognition of journalists in various scenarios.

2. Issuance of Press Cards

United States

In the US, there is no central or standardized body responsible for issuing press cards. Instead, press cards are often issued by individual media organizations, journalism associations, and certain governmental bodies at local or state levels. Because there is no federal system, the validity and acceptance of a press card can vary significantly depending on who issued it and where it is being used.

• Media Organizations: Many press cards in the US are issued by the media outlets themselves. These cards are generally recognized by event organizers and public officials, but their validity can be limited to the reach and reputation of the issuing organization.

• Journalism Associations: Some organizations, like the US Press Association or the National Writers Union, also issue press cards to their members. These cards are often recognized within certain professional circles but may not carry the same weight as those issued by larger media organizations.

• Government Issued Cards: In some cases, local governments, particularly in major cities like New York, issue press cards to accredited journalists. These cards are often necessary for access to certain restricted areas or events within the city.

United Kingdom

In contrast, the UK has a more centralized system for issuing press cards, primarily through the UK Press Card Authority (UKPCA). The UKPCA is a coalition of various media organizations and unions that are authorized to issue press cards. These cards are widely recognized across the UK and provide a more standardized form of identification for journalists.

• UK Press Card Authority (UKPCA): The UKPCA issues press cards that are recognized by the police, government agencies, and event organizers across the country. The authority works with a wide range of media organizations, ensuring that the cards have broad recognition and trust.

• Other Issuers: While the UKPCA is the primary issuer, some organizations and trade unions also issue press cards, but they usually do so under the umbrella of the UKPCA, ensuring consistency in recognition.

3. Recognition and Legal Implications

United States

In the US, the recognition of press cards can vary widely. Since there is no standardized issuing body, the acceptance of a press card depends largely on the reputation of the issuing organization. Journalists may find that their press cards are accepted in some places but not in others, especially if the card is from a lesser-known organization.

• Legal Protections: US press cards do not automatically confer legal protections. However, journalists are still protected under the First Amendment of the US Constitution, which guarantees freedom of the press. The press card is more of a practical tool than a legal one, used to facilitate access and verify identity rather than to secure legal rights.

• Access to Events and Scenes: In certain scenarios, such as crime scenes or governmental events, local authorities may require a press card issued by a recognized body (like a city government) to grant access. However, the requirement and acceptance of such cards can be inconsistent.

United Kingdom

In the UK, press cards issued by the UKPCA are widely recognized and carry significant weight. These cards are often necessary for accessing restricted areas and events, and they are generally accepted by law enforcement and other authorities as proof of a journalist’s credentials.

• Legal Protections: The UK press card provides a level of legal recognition that is not as prevalent in the US. For instance, under the Police and Criminal Evidence Act (PACE) in the UK, journalists can use their press cards to identify themselves and protect their sources under certain conditions.

• Access to Events and Scenes: The UKPCA press card is often required for access to certain events and restricted areas. Police and event organizers are more likely to grant access to cardholders, recognizing the card as proof of the holder’s professional status.

4. Practical Use in Journalism

United States

In the US, the practical use of a press card can be varied due to the decentralized nature of its issuance. Journalists may carry multiple press cards from different organizations to ensure access across various situations.

• Event Coverage: At large-scale events like political rallies, sports events, or concerts, journalists may be required to present a press card. Acceptance often depends on the event organizer's familiarity with the issuing organization.

• Safety and Verification: In conflict zones or during protests, a press card can serve as a crucial identification tool, though its protection might be limited depending on the situation and the recognition of the card.

United Kingdom

In the UK, the centralized and standardized system makes the press card more universally applicable and reliable.

• Event Coverage: Journalists with a UKPCA press card are generally granted access to a wide range of events and restricted areas. The card’s recognition by law enforcement and other officials makes it a valuable tool for journalists working in the field.

• Safety and Verification: The UK press card is also important for the safety of journalists, as it is widely recognized and can help to quickly establish a journalist’s identity in tense or dangerous situations.

5. Perceived Value and Trust

United States

In the US, the value and trust associated with a press card largely depend on the issuing organization. Cards from well-known media outlets or recognized journalism associations are generally more trusted, while those from lesser-known entities may be viewed with skepticism.

• Public Perception: The public perception of a press card in the US can be mixed. Some people may recognize the card as a legitimate credential, while others may question its authenticity, especially if the issuing organization is not widely known.

• Institutional Trust: Among institutions like police forces or event organizers, trust in a press card again depends on the issuer’s reputation. This can lead to inconsistency in how journalists are treated across different situations.

United Kingdom

In the UK, the UKPCA press card enjoys a high level of trust and recognition, both from the public and institutions.

• Public Perception: The public generally views the UKPCA press card as a legitimate and trustworthy credential. The centralized nature of its issuance contributes to its reliability and recognition.

• Institutional Trust: Institutions, including law enforcement and government agencies, trust the UKPCA press card as a standard form of identification for journalists. This trust facilitates the work of journalists and ensures more consistent treatment across various situations.

6. Challenges and Limitations

United States

One of the main challenges in the US is the lack of a standardized system for issuing press cards. This decentralization can lead to inconsistencies in recognition and access, making it difficult for journalists to navigate different environments.

• Access Issues: Journalists may face challenges when their press card is not recognized by authorities or event organizers. This can hinder their ability to cover certain stories or access restricted areas.

• Credibility Concerns: The varying credibility of different press cards can also be a concern. Journalists working for smaller or independent outlets may find their press cards are not as widely accepted as those from larger, more established organizations.

United Kingdom

While the UKPCA press card system is more standardized, it is not without its limitations. The centralized nature of the system can sometimes create barriers for freelance or independent journalists who may not be affiliated with a recognized organization.

• Access for Freelancers: Independent journalists or those who are new to the field may struggle to obtain a UKPCA press card, limiting their access to certain events or areas.

• Perceived Exclusivity: Some critics argue that the UKPCA system creates an exclusive environment where only certain journalists are granted access, potentially stifling diversity and innovation in journalism.

7. Future Trends and Considerations

United States

In the US, there is ongoing discussion about the potential benefits of a more standardized system for issuing press cards. However, given the country’s emphasis on freedom of the press and the decentralized nature of its media landscape, such a system may be difficult to implement.

• Digital Press Cards: The rise of digital press cards is a trend to watch in the US. These cards offer more flexibility and can be easily verified online, potentially addressing some of the issues related to recognition and access.

• Increased Scrutiny: With the increasing focus on media credibility and the rise of misinformation, there may be more scrutiny of press cards and the organizations that issue them. This could lead to more stringent standards or guidelines for press credentials.

United Kingdom

In the UK, the UKPCA press card system is likely to remain the standard for the foreseeable future. However, there may be efforts to make the system more inclusive and accessible to a broader range of journalists.

• Technological Integration: Like in the US, digital press cards are gaining traction in the UK. These cards can offer more security and ease of use, making them a valuable tool for journalists in the digital age.

• Broadening Access: There may also be efforts to broaden access to UKPCA press cards, particularly for freelance journalists and those working in new media. This could help to address concerns about exclusivity and ensure that the press card system continues

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Date: August 14, 2023

Cricket South Africa (CSA) has unveiled the squads that will lock horns with Australia in a highly-anticipated white-ball series, with a notable addition capturing the spotlight. Momentum Multiply Titans' rising star, Dewald Brevis, has received his maiden call-up to both the T20 International (T20I) and One-Day International (ODI) squads, showcasing his prowess as a dynamic batter and marking a new chapter in his cricket journey.

At just 20 years old, Brevis made a significant mark on the global stage by emerging as the top run-scorer in the ICC U19 Men's Cricket World Cup back in January 2022, accumulating a staggering 506 runs in the tournament, the highest by any batter in a single edition. Since then, he has been making waves in T20 leagues across the world, claiming the record for the highest individual domestic T20 score in South Africa, a blazing 162 off 57 balls during the CSA T20 Challenge last season. His recent standout performance in the SA 'A' tour to Sri Lanka further solidified his reputation, with a brilliant 71-ball 98 in the first unofficial 50-over match.

Joining Brevis in the T20I squad for their first taste of international action are his Titans comrades Donovan Ferreira and Gerald Coetzee, the latter having the opportunity to add to his Test and ODI caps if chosen. Donovan is a rags to riches story. A few years ago he was working full time and had no contract. Given a chance by the Titans, Donovan secured a lucrative contract with Joburg Super Kings in the SA 20 tournament. Dafabets Warriors' batter, Matthew Breetzke, completes the fresh additions to the squad, as the selectors emphasize nurturing new talents and expanding the pool of potential stars.

Keshav Maharaj, the experienced spinner, returns to the squad for the second and third T20Is, as well as the ODI series, continuing his determined comeback from a ruptured left Achilles tendon suffered during the Betway Test series against West Indies earlier this year.

Several seasoned players, including Quinton de Kock, Heinrich Klaasen, David Miller, Anrich Nortje, and Kagiso Rabada, are taking a well-deserved rest during the three-match KFC T20I series, gearing up to rejoin the team for the five-match Betway ODI series, a crucial stepping stone ahead of the World Cup.

The anticipation for the 15-player World Cup squad, set to be announced on September 5, is building, and this white-ball series provides a golden opportunity for emerging talents to make their mark. White-ball head coach Rob Walter expressed the team's eagerness to expand their player base and praised the selected players' consistent domestic performances, while also welcoming back Keshav Maharaj, whose recovery progress has been commendable.

Cricket fans across South Africa can look forward to an exciting series against Australia, where the Proteas will face a formidable opponent in what promises to be a high-intensity contest. As the tour dates approach, the cricketing community eagerly awaits the on-field action, as these encounters will serve as vital preparation for the looming World Cup, with Director of Cricket Enoch Nkwe confident in the team's determination and readiness to take on one of the world's best cricketing sides.

The complete T20I and ODI squads have been finalized as follows:

Proteas T20I Squad against Australia:

Aiden Markram (captain, Momentum Multiply Titans)
Temba Bavuma (DP World Lions)
Matthew Breetzke (Dafabet Warriors)
Dewald Brevis (Momentum Multiply Titans)
Gerald Coetzee (Momentum Multiply Titans)
Donovan Ferreira (Momentum Multiply Titans)
Bjorn Fortuin (DP World Lions)
Reeza Hendricks (DP World Lions)
Marco Jansen (Dafabet Warriors)
Sisanda Magala (DP World Lions)
Keshav Maharaj (Hollywoodbets Dolphins)
Lungi Ngidi (Momentum Multiply Titans)
Tabraiz Shamsi (Momentum Multiply Titans)
Tristan Stubbs (Dafabet Warriors)
Lizaad Williams (Momentum Multiply Titans)
Rassie van der Dussen (DP World Lions).
Proteas ODI Squad against Australia:

Temba Bavuma (captain, DP World Lions)
Dewald Brevis (Momentum Multiply Titans)
Gerald Coetzee (Momentum Multiply Titans)
Quinton de Kock (Momentum Multiply Titans)
Bjorn Fortuin (DP World Lions)
Reeza Hendricks (DP World Lions)
Marco Jansen (Dafabet Warriors)
Heinrich Klaasen (Momentum Multiply Titans)
Sisanda Magala (DP World Lions)
Keshav Maharaj (Hollywoodbets Dolphins)
Aiden Markram (Momentum Multiply Titans)
David Miller (Hollywoodbets Dolphins)
Lungi Ngidi (Momentum Multiply Titans)
Anrich Nortje (Dafabet Warriors)
Tabraiz Shamsi (Momentum Multiply Titans)
Wayne Parnell (Six Gun Grill Western Province)
Kagiso Rabada (DP World Lions)
Tristan Stubbs (Dafabet Warriors)
Rassie van der Dussen (DP World Lions).
Here's the tour itinerary:

KFC T20I Series:

Wednesday, August 30 - 18:00

South Africa vs Australia - Hollywoodbets Kingsmead Stadium, Durban
Friday, September 1 - 18:00

South Africa vs Australia - Hollywoodbets Kingsmead Stadium, Durban
Sunday, September 3 - 14:00

South Africa vs Australia - Hollywoodbets Kingsmead Stadium, Durban
Betway ODI Series:

Thursday, September 7 - 13:00

South Africa vs Australia - Mangaung Oval, Bloemfontein
Saturday, September 9 - 13:00

South Africa vs Australia - Mangaung Oval, Bloemfontein
Tuesday, September 12 - 13:00

South Africa vs Australia - JB Marks Oval, Potchefstroom
Friday, September 15 - 13:00

South Africa vs Australia - SuperSport Park, Centurion
Sunday, September 17 - 10:00

South Africa vs Australia - DP World Wanderers Stadium, Johannesburg.
[Submitted by Kevin Rademeyer]

The weekends Backstreet Boys concert at Sunbet Arena in Pretoria proved to be a captivating journey into the past, delighting a jam-packed crowd with an electrifying display of talent and showmanship.

As we assess this highly anticipated performance, let's delve into the highlights that made it an unforgettable night for fans. The tour started in 2019, was postponed due to covid and ended on South Africa shores. The tour included 218 shows, performed in 44 countries and over 6 continents. It was their biggest tour to date.

Originality was on full display as the Backstreet Boys took the stage, focusing on their own material and steering clear of cover songs. The group's commitment to their latest album, "DNA," was evident as they flawlessly incorporated a substantial amount of new material into their setlist. This dedication to evolving their sound while staying true to their roots showcased their ongoing creativity and ensured a fresh and exciting experience for concertgoers.

Catering to the audience's every need, the Backstreet Boys delivered a comprehensive concert experience. They seamlessly weaved new material with crowd-pleasing dance moves and moments of nostalgic bliss, ensuring that fans of all generations were thoroughly entertained. The concerts were a remarkable journey back in time, igniting a wave of nostalgia while showcasing the bands growth and musical prowess. With an impeccable blend of new and old favorites, the Backstreet Boys proved their enduring popularity and reaffirmed their status as one of the most beloved boy bands in history. The performances were a testament to their enduring appeal and their ability to transport audiences to a place of pure musical euphoria. It was also a testament to their 30 years spent together.

The sensational boy band that dominated the music scene in the early 2000s, proved they still have what it takes to captivate audiences during their concerts. Despite the passage of time slightly affecting their dance moves and vocal prowess, the group's electrifying performance over the weekend showcased their enduring ability to rock fans' bodies and reignite nostalgic memories.

The concert kicked off with an energetic rendition of "Everyone" from the band's 2000 album "Black & Blue." While the dance moves may not have matched their prime, the quintet, now comfortably in their 40s and 50s, impressed with their commitment and dedication to the choreography. Standout performances came from AJ McLean and Nick Carter, who showcased their smooth moves, undoubtedly influenced by their participation in "Dancing with the Stars." Kevin Richardson also commanded attention with his weighty gravitas on stage.

Even with the passage of time, the Backstreet Boys' ability to entertain and engage the crowd remained intact. While their dance routines may no longer appear effortless, their two-hour performance showcased their enduring talent and dedication to their craft. This tour, which could have easily been dismissed as a nostalgia cash-grab, exuded genuine heart and effort, ensuring a memorable experience for fans.

Accompanied by generic yet visually pleasing screensaver-like visuals, the band seamlessly navigated through their first act set. Though the iconic hits from their golden era were not immediately performed, the crowd's energy and decibel-shattering screams remained high as they enthusiastically embraced the deeper cuts. The constant dancing and choreography maintained the audience's engagement throughout, and while the newer songs may not have been crowd-pleasers, they still delivered fun and lively performances.

The strategic placement of the "DNA" moments, which were often the fastest songs, ensured that the show didn't become overwhelmed with new material. During songs like "Nobody Else," "Chateau," and "The Way It Was," the band cleverly trimmed down the tunes, allowing one member to shine on stage while engaging in friendly banter with the crowd. This tactic also served as a disguise for the numerous costume changes that took place throughout the night.
Midway through the show, the band ventured into a segment dedicated to their beloved ballads. The power ballad "Show Me the Meaning of Being Lonely" was a standout moment, eliciting a roaring response from the audience. Despite their transition into fatherhood and a more mature phase of life, the Backstreet Boys still exude a youthful exuberance and camaraderie on stage. The banter, dad jokes, and playful interactions between songs only added to the night's charm.

The middle section had the crowd roaring with delight. “Show Me the Meaning of Being Lonely” is a banger of a ballad, encouraging massive sing-alongs along with “Shape of My Heart,” “Quit Playing Games (With My Heart)” and “As Long As You Love Me.” Near the end of the segment, BSB gave the band a break and did a lovely harmonious a cappella rendition of “Breathe” that showed off their vocal chops while “I’ll Never Break Your Heart” radiated old-school Motown ballad inspirations, complete with the little synchronized moves at their individual mic stands.


And for those people, they wouldn’t have to wait much longer for the smash hits either as Backstreet Boys wrapped up the set with a barrage of classics – starting with “Everybody (Backstreet’s Back),” somehow made even catchier with a bonus crunchy EDM beat added to the mix. I still think it should be illegal to not open with the swaggery hit – but the wait was well worth it, especially as more high-energy pop favorites (“We’ve Got It Goin’ On,” “That’s The Way I Like It,” “Get Another Boyfriend,” “The One”) quickly followed. The run ended with the triumphant boy band staple “I Want It That Way”.

After a brief break, Backstreet Boys came out for a few final songs and one final costume change – unfortunately not into their robot suits from the iconic “Larger Than Life” music video. Thankfully, after the first encore of the new stompy electronic smash “Don’t Go Breaking My Heart,” the song itself did make its expected appearance – complete with AJ’s incredible sinister cackle at the open and, perhaps the biggest shocker of the night, a bit of a Justin Timberlake beat coming through in the background. If NSYNC and BSB can (tangentially) unite, maybe there can be world peace in our time after all.

They promised to be back on the shores if we wanted them back. The Backstreet Boys can be back anytime they please.
[Submitted by Kevin Rademeyer]

As a journalist or media professional, having a press pass can be incredibly valuable. Not only does it provide you with access to events and information that the general public may not have, but it can also help you gain credibility and build relationships with sources.

If you're interested in obtaining a press pass, there are several steps you can take. The first is to determine what type of press pass you need. Different events and organizations may have specific requirements, so it's important to do your research ahead of time. As a member of the US Press Association, we can take care of this step for you.

Once you know what is needed, you can start gathering the necessary materials. This may include a letter of assignment from your employer or a professional organization, as well as identification. Again, as a member we can help with these requirements.

As a member of the US Press Association, you'll have access to a variety of resources, including a media database, press release distribution services, and networking opportunities. You'll also be eligible for credentials, which can provide you with access to events and information that the general public may not have.

In conclusion, obtaining a press pass can be a valuable asset for journalists and media professionals. By doing your research, gathering the necessary materials, and reaching out to professional organizations like the US Press Association, you can increase your chances of obtaining a press pass and gaining access to valuable information, venues and events.

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The Airlink Pumas emerged as the Cinderella men of the Carling Currie Cup’s modern era when they pipped Windhoek Draught Griquas 26-19 in a momentous final in Kimberley on Saturday afternoon to clinch their first title.

In a historic battle of ultimate underdogs, the visitors maximised their maiden finals appearance by outscoring the hosts by three tries to one in front of a capacity crowd of 8,500 to capture the crown jewel of South African rugby.

The Airlink Pumas class of 2022, captained by flanker Willie Engelbrecht, seized the day with a heroic performance to cap a fairy-tale season under long-time coach Jimmy Stonehouse.

The two spirited unions, who defied the odds to reach the decider, largely stuck to what brought them to the doorstep of destiny, playing high-octane rugby after a nervy first 20 minutes in a final unlike any other in the history of the oldest provincial rugby competition in the world.

The Lowvelders’ temperament formed the foundation of their triumph, which was powered by superior execution, finishing and defence. Their sharpness on attack and powerful driving maul saw them score two unanswered tries, which helped them take an 18-9 lead into the break, with the hosts managing just three penalty goals via the boot of George Whitehead.

The lead grew to 17 before the Peacock Blues produced a fightback, which was sparked by a scintillating try by Munier Hartzenberg in the 57th minute. A late monster penalty goal from Whitehead, who’d also converted his wing’s try, gave Windhoek Draught Griquas a chance to force the final into extra time with a last-gasp converted try.

However, it never came as the Airlink Pumas held on. With their historic victory, the unheralded men in pink and grey rose from undesirable to undeniable on what will live on in Carling Currie Cup lore as the Nelspruit union’s greatest day.

Scorers:

Windhoek Draught Griquas 19 (9) – Try: Munier Hartzenberg. Conversion: George Whitehead. Penalty goals: Whitehead (4).

Airlink Pumas 26 (18) – Tries: Devon Williams, Eduan Swart, Willie Engelbrecht. Conversion: Eddie Fouche. Penalty goals: Eddie Fouche (3).


[Submitted by Kevin Rademeyer]

Rugby tickets “freed” to set off fan bonanza following COVID announcement

• Carling Currie Cup final expected to be 100% sold out
• Additional tickets released for Springbok Tests

More tickets to the Springboks’ six home Tests – starting with the Castle Lager Incoming Series against Wales next month – will be released following the news that more COVID restrictions have been lifted in South Africa.

South Africans woke up to the news on Thursday morning that the Government had gazetted new regulations that included the dropping of limits on both indoor and outdoor gatherings, which means rugby stadiums can now sell all available tickets instead of the only 50% capacity that had been permitted.

The response from fans was instant, with the first match expected to feature a full stadium in more than two years set to be Saturday’s Carling Currie Cup final in Kimberley, where Windhoek Draught Griquas host the Airlink Pumas from 15h00.

“It feels like we’ve been set free,” said Jurie Roux, CEO of SA Rugby. “Certainly an additional 80 000-plus tickets for major rugby events have gone into the market today.

“The news comes just in time for the Carling Currie Cup final and the three Springbok Tests against Wales next month.

“We saw the massive appetite for returning to live sporting events with the playoffs in the Vodacom United Rugby Championship in Cape Town and Pretoria in the last few weeks and, as a sport, we are delighted with the news that we are moving back to normal.

“Our loyal fans have not been able to see the Springboks play in South Africa for almost three years, and we are expecting them to arrive in droves for the Tests against Wales in Pretoria, Bloemfontein and Cape Town next month.”

As part of the lifting of the regulations, South Africans are also no longer expected to wear masks indoors, while mask wearing and presentation of vaccine certificates or negative COVID tests are no longer mandatory to enter any venues.

“Even though the restrictions have been lifted, we would still like to urge everyone who attend matches and events to keep their own personal safety, and those around them, in mind when entering venues and take the necessary precautionary steps, and we would also like to strongly encourage vulnerable people and those with underlying medical conditions to take appropriate health precautions,” added Roux.


[Submitted by Kevin Rademeyer]